Now the other thing I'm doing is actually fighting the urge to zoom in.

Really? But the idea is that you're just doing it really quickly in your expressing your ideas you're getting, ah, good Siris of concepts down in front of you to look through and compare. You know that he's in a city scape or something like that, flying really fast towards the screen. They're But I probably wouldn't do too much of the suit design at this stage, you want the broad strokes of the the image and then, you know, maybe some buildings or something to really help sell it. You know, we could you know, you could really get in here and start even design the suit, but you don't have to just get some kind of information. So this is just one concept, and we could say we want the character flying. You know, you just see a little bit of the fist here, One leg coming forward on the opposite side, one leg, going back, receding into space.

So characters flowing out towards camera, maybe one arms tucked back. I feel that's, you know, pretty dynamic and something that we can use is a cover shot. So I want to do a very extreme kind of perspective. This isn't gonna be exactly what I'm envisioning, but let's just throw it out to my ideas and get the ball rolling. So what I've got this idea of that I want to see for this superhero project that we're gonna dio is just a character flying out towards camera. But just the rough concepts, the line work in the, you know, the composition, things like that. But the beauty of this is that you're going to put this information in from a glance from a distance, and you're going to focus on just you know is little clarity, really.

So you do something about the scale of the page, and you can do however many you need to get your ideas down. So the reason it's called thumb nailing is because they're very small. I want a thumbnail out some concepts, so thumbnails a great because you really rough out the idea. I'll make sure that you got a copy of this for your own reference, but at the same time, make sure you know your end result. So again, I don't want you to adhere to that too tightly. This is called No Man's Land, and that's just areas that get edited right out. You wanted to really not be that essential to any kind of story telling, you know, So be careful putting a hand there if you don't want the hand cut off, put things like that but passed. I mean, generally it's pretty pretty on, but you want to make sure that your bleed if you're doing artwork, that's right here. You just gotta kind of think of it as safe areas, not the exact line. Someone there, But don't ever think it's right here, right here. This bleed is where the you know the cut's gonna occur. You know, this area like this, the bleed is right about here and then passed. Ah, In this case, the safe area is all within. So if you're working digitally for digital comics, online comics, your margins may be different or not at all, compared to if you're doing in results with print media and you want to really make sure that the end result is what you're after so basically, you know, get a template from your end user s. And just keep in mind that the best way to know your margins is to find out where your end result is. But this would be a traditional comic book page with margins already marked. So I'm working at 11 by 17 at 300 dp I because I am working digitally to show you this. So for these lessons, I want to show you Ah, buildup of, ah, art projects right on 11 by 17. L1 Thumbnailing Our Superhero Concept: All right.

Simple comic book cover ideas